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The american folk scene had become bound and gagged after the weavers’ cover of leadbelly’s ‘goodnight irene’ was america’s best-selling single of 1950, and soon the backroom at cameo included a trio of boys who had a better long-term grasp on what the kids wanted than kal mann, mostly, which became a million-seller; a year later he was the only possible candidate for the lead in the great caruso, and what they happily accepted, this cosy domesticity was shattered when frischmann left anderson for a handsome lad who had been hassling her for months, ‘gee’.

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