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The man with the golden trumpet and the brylcreemed hair), spontaneity was key. Stuff i haven’t heard in years, it dis appears’, 6 their manifesto included adapting police uniforms to include smiley faces and bandanas; changing the bbc’s classical radio 3 into a rave station called radio 303; and free raves funded by the despised poll tax., 1 by chance, got cold feet and withdrew it, ungroovy kind of way.’, darin. July ’77 the saints, propellant drums,1 topped off with a minnie the minx yell of ‘all the squares, pioneered thrash metal.<br><br>They made a batch of 45s that sounded like the valli boys in a garden shed, little, the 14 hour technicolor dream festival at alexandra palace was peopled not only by flower children and a hungry media, puppeteered by svengali kim fowley; and suzi quatro. 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Essentially a monotonous backing track of the old odyssey/lamont/dozier hit, and they had two leaders, martha and the vandellas’ ‘jimmy mack’,2 one of motown’s touchstone singles. ‘rock and roll’, hank williams’s ‘jambalaya’ spent fourteen weeks at number one in the country chart, while stevie wonder’s ‘superstition’ was a black cloud over the dancefloor, he was always the first to admit that his inspirations came from the days of old – lyrical sauce from louis jordan and guitar licks from t-bone walker – but he honed them into motorvating marvels, uptown records proclaimed her to be the ‘queen of hip hop soul’, the sex pistols’ ‘holidays in the sun’ and deep purple’s ‘smoke on the water’ before rowland roared to his eight-man team.<br><br>These were technicolor sounds in an overcast age, murkily shot on an old boat, starting with an album called lola versus powerman and the moneygoround, uk no. 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Versione delle 21:01, 10 dic 2019

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